All set for Youm-e-Ashoora; but government fails in making proper arrangements

Hyderabad: With just a day or two left for Youm-e-Ashura, the tenth of Muharram, an air of solemnity has engulfed the old city. The mood, ambience and attire are black all the way. Grief-stricken men and women can be seen moving barefoot in the areas such as Darul Shifa, Yakhutpura, Noor Khan Bazaar, Mandi Mir Alam and Irani Galli.  A visitor to these areas wouldn’t miss the pall of gloom hanging there. The present wet spell is no deterrent to the mourners who go about their job. As dusk sets in, the Ashoorkhanas and Majalis reverberate with unbridled emotions. Some shed silent tears, some wail aloud and some resort to ‘seena-zani’ – beating their chests to the cries of ‘Ya Husain’. If gaiety and gusto marks Ramzan, poignancy takes over Hyderabad in Muharram.
Right from the Qutb Shahi times, the first month of Islamic calendar sees intense mourning. Shias lament the martyrdom of Hazrath Imam Husain, the grandson of the Prophet, and 72 others in the battle of Karbala in Iraq during the 7th century AD. The community goes for ‘tark-e-lazzat’ (abstinence), and gives up all culinary delights and celebrations during the 68-day mourning period.
There are about 125 Ashoorkhanas in the city and they become centres of Azadari  (lamentation). Also known as Asthanas, Bargahs and Imambaras, they served as a hub of socio-cultural activity during the Qutb Shahi period.  They are believed to be responsible for the evolution of marsiya, a form of poetry with the tragedy of Karbala being its leitmotif.
As the tenth of Muharram draws near, footfalls increase in the Badshahi Ashoorkhana (Patharghatti), Bibi Ka Alawa (Dabeerpura),  Alawa-e-Khadme Rasool (Patharghatti), Aza Khana Zehra (Darul Shifa), Koh-e-Moula Ali (Secunderabad) and numerous other Ashoorkhanas where the zakareen (orators) recount the Karbala events in chilling details, reducing the audience to tears.
The Badshahi Ashoorkhana built by the city founder, Mohammed Quli Qutb Shah, is the oldest one in the city. Old Hyderabadis recall how it used to be decorated with 10,000 lamps placed in ten rows. The Sultan would light 1000 candles everyday during the first 10 days of Muharram. Today it doesn’t enjoy the same patronage but remains an example of a living heritage put to functional use during the month of mourning.
The second prominent monument to come up in 1594, just three years after Charminar was built Badshahi Ashoorkhana continues to charm visitors with its exquisite enamels tiles and vibrant colours. Though some ancillary structures in the open ground like Naqar Khana, Abdar Khana and Niyaz Khana have suffered intense damage, however, the main hall of the Badshahi Ashoorkhana remains intact.  Walls decked up with multicoloured tiles and the dominant theme of flaming Alams is the cynosure of all eyes here. A mosaic of staggered hexagons with jewel-like shapes fills the arch on the southern wall. Typical Indian colours like mustard yellow and brown add vibrancy to the panel on the western wall while the north-west wall sports a large ‘Alam’ in the centre of the side panels. A circling swirls of flowers and leaves surround the compositions.